Talks about my Painting Process
If you’d like to go deeper and learn more about how I work in the wild, the philosophy behind my work, and how to approach and get the most out of the paintings, please enjoy this 3 part series of free talks on my painting process.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
Painting in the Wild
In this first talk, I discuss how I work in the outdoors, my connection to wild places in which I paint and how I begin my process.
Philosophy with a Brush
In the second talk of the series, I discuss my paintings in a broader philosophical and art historical context and thier place within the art world.
Permission to Feel
In this last talk, I discuss my Shamanistic painting practice and how to approach my artwork as a viewer. I’ll give you some pointers on how to get the most out of my paintings and how the paintings can best support you.
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